I skipped reviewing this one by accident..

Opening standard.  Nirvana at 1:48 (no Vibration of Life build-up).
The Nirvana section is well-played and Page noodles well.  Mike's
solo-section at 2:30 is dark and freakish as it often is, and he gets
low on that damn 'doc of his.  Pre-charge section is good, and Trey
sustains the First Note well.. and jams a bit.  Jamming around the
second shot at the Note is decent but not anything special.

"Boy" at 5:05.  Mike vigorously snaps his 'doc in this BMGS/WUDMTF
segment!!  Decent segment but nothun sahweet.  Tramps jam begins
around 7:04 with Mike giving the signals, and Page noodling away on
the Hammond.  Page gets going pretty damn well in here, fwiw, and
really JAMS on da hammond..

At 8:26 the jam segment begins, and Trey almost immediately rips it up
with a theme that he repeats a little bit.. before he begins
melodiously soloing.  Trey is extremely active in here, soloing
passionately and vibrantly, as if he were trying to win a bet.  He
gets into the upper reaches of the 'doc around 10:15 and soon begins
trilling for a climactic close.  Short.

Bass and drums at 10:33 and it is fairly straightforward.  Mike is
pretty repetitive and doesn't truly inspire.  Still a pleasant,
reasonably melodious and active effort, which picks up a little steam
around 11:25.  Fish's accompaniment is typically strong, but certainly
nothing profound.  Just fades out... that's different.

Closing WUDMTF segment at 11:49.  And ensuing vocal jam.  Trey
vocalizes "Roots" (with rolled "r") a few times in the beginning.  And
at about 12:50 I thought Trey might vocalize "Makisupa Policeman"'s
theme.. but it is dropped after 4 seconds.  CUT!!! At 13:20, the vocal
jam just ends, since my copy cuts here.  Total time is probably around
15 minutes.  C+ rating easily for this YEM.  Trey's soloing is great,
but it is typically great, in my opinion.

two cents
cough(ack)wheeze420