Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
If you're asking why they played it all, I have no idea.
If you're asking why they slammed into 46 Days instead of jamming Halleys, I'd guess because it sounded awesome and the subsequent 46 Days jam was better than all but 2, maybe 3 Halleys jams ever, so I have to feel like it was the right choice.
As megafans, we want every song to be jammed out, and if not, at least a little something different about it. Be happy Trey closes his eyes a lot when the jams start getting deep, because if he was watching the crowd more they'd probably jam less. Unless a jams really upbeat, a lot of people are going to be talking through it. People who have never heard of the band before, people who have been to 300 shows. Whatever.
They'd be crazy to not have any idea that no matter our protests to the contrary, the vast majority of the crowd is more engaged with the chorus to Sample In A Jar than the delicately layered otherworldly textures of deep improv
If you're in a band, that's going to mean something to you. And I feel like Phish 3.0 has done a great job of balancing competing interests.